Prepare for your eardrums to be Shattered and your taste buds to explode
Prepare for your eardrums to be Shattered and your taste buds to explode
At Brutally Delicious, we started as a small team of Heavy Metal food enthusiasts who wanted to share our love for metal and cooking with the world. Today, we are one of the most popular music related sites on the internet, with viewers and listeners from around the globe.
In the vibrant tapestry of the food and heavy metal worlds, there exists a profound sense of community that transcends mere culinary or musical appreciation. It's a fellowship forged in fiery kitchens and thunderous mosh pits alike, where individuals unite over their shared passions with an unwavering spirit of camaraderie. In kitchens, chefs and food enthusiasts find solace in the creative chaos, exchanging recipes and techniques like ancient secrets passed down through generations. Meanwhile, in the electrifying realm of heavy metal, fans converge, their hearts pounding in unison to the primal rhythms, forming bonds that withstand the test of time. Together, they create a sanctuary where differences are celebrated, and where the love for good food and thunderous music fuels the flames of an enduring, inclusive community.
Qaalm, a Los Angeles-based doom metal band, has released their second album, "Grave Impressions of an Unbroken Arc," following their well-received debut, "Resilience & Despair" (2022).
This new album showcases the band's growth and maturity as musicians, offering a more structured and melodic approach while maintaining their distinctive blend of heavy riffs and introspective lyrics.
From the opening track, "Hangman's Lament," it's evident that Qaalm has set a new standard. The song's haunting melodies and intricate arrangements immediately captivate the listener, setting the stage for the album's exploration of identity and life roles. Vocalist Henry Derek Elis delivers a powerful performance, conveying emotional depth and raw intensity.
Throughout the album, Qaalm demonstrates their mastery and chemistry as a band. They seamlessly incorporate black metal, post-metal, and progressive rock elements, creating a rich and diverse soundscape. The impeccable production helps the album succeed on yet another level.
Fans of Mizmor, Pallbearer, YOB, Edge of Sanity, Agalloch, Mastodon, and Baroness will find much to appreciate in "Grave Impressions of an Unbroken Arc." This album rewards repeated listens, revealing new layers of complexity and beauty with each playthrough.
Qaalm has indeed delivered a doom masterpiece with "Grave Impressions of an Unbroken Arc." Fans of progressive doom and metal in general should take notice.
(Budget Friendly Slow Cooker and Instant Pot Magic Meals)
In character, in manner, in style, in all things, the supreme excellence is simplicity.
- Henry Wadsworth Longfellow
Remember the comfort of a slow-cooked meal? Hope Comerford, author of the cookbook Fix-It &
Forget-It (Budget Meals), emphasizes the importance of shopping smarter not harder, and creating diverse, budget-friendly meals for everyone. She shows us that there’s magic in utilizing slow cookers and explains how easy it can be to create something delicious with simplified tools and affordable resources.
What I love about this cookbook is that it contains a whopping 127 diverse slow cooker and instant pot meals that are budget-friendly, yet bursting with flavor. There is a recipe for everyone, and I mean everyone and their mother. The recipes range from breakfast with Pumpkin Spice Pancake Bites to instantly Good Beef Stew. The author also mentions that not all slow cookers are created equal, from temperature ranges, pot sizes, and more, and gives tips on choosing a quality slow cooker and what the differences are between them.
There isn’t anything I would change about this book because it hit all the key points of creating a variety of accessible, delicious, and affordable recipes, also providing detailed helpful information on which slow cookers to go for.
This book is best suited for those who lead a busy lifestyle but want a substantial meal, single parents or busy parents in general, people who want easy, budget-friendly meals, and those who don’t enjoy spending large amounts of time in the kitchen but still want to feel like a master chef.
When you have a career that has spanned 60 years, it’s difficult to find new words to describe what
Terry Reid brings to the table when he’s performing live.
Writing is my passion, and it’s a rarity that I find myself lost for words when putting pen to paper,
but right now I’m finding it difficult not because of fear of repetition, but for fear of not being able todo justice to a man once described as “the outstanding voice of his generation”.
His early career contains stories of legend, but I’m not here to write about his past, other than to
document those Terry has decided to include in this set. His resurgence to touring in the early 2000s was billed as “The Man with a hell of a story to tell” and they were not wrong, but we’ll get to that soon enough.
Support tonight was provided by Jonathan “Spike” Gray, Newcastle native and lead singer of
acclaimed UK rock band The Quireboys. Spike expertly blends the melodic with the decadent and
exudes frontman charisma even when standing alone on stage. His set provides a perfectly
lighthearted performance to warm his hometown crowd before “Superlungs” takes the stage.
Terry opens with a wonderful nostalgic story about smashing up guitars, as staple of 60s and 70s
rock excess. The crowd shimmers with laughter as he describes the difference and difficulties
between breaking a plywood Rickenbacker and a Through-Neck Strat. He opens with a cover of “The Sun Aint Gonna Shine Anymore”. As an artist that’s been covered by everyone from The Hollies to Chris Cornell, Terry has never been afraid to put his own stamp on others, as others have done with him. This is what makes Terry special, every song has a story. Whilst I’m a big fan of interpretation, but what I love more is inspiration. Knowing where that lies in a man as important to music as Terry really makes his live performances special.
We’re regaled with stories of Sam Cook, George Benson and Graham Nash before he launches into
the gorgeous “Faith To Arise”, after which he informs the audience that today is the anniversary of
the day he supported the Rolling Stones, in Newcastle…..in 1965! Let that sink in, this guy supported
The Rolling Stones at 14/15 years old, 60 years ago. That my friends is legacy. Terry doesn’t hold back on where his morals lie either, lightening his scathing criticism of the American governments response to Hurricane Katrina by providing emphasis on the iconic images of Fats Dommino in a rowboat before launching into “Eye of The Raging Storm”. Likewise, we get heartfelt commentary on being inspired by your peers and supporting one another. It’s poignant that a man that has experienced all he has, has still needed the affirmation of his friends and colleagues to drive his motivation. It’s food for thought, the next time you scroll past your buddies band without giving it a like, just think that even musical royalty needs to know those closest to him
support him.
Terry has embraced the grit that age has given his voice the same way whisky embraces the aroma
of sherry in a cask, but every once in a while, he lets loose a note that drags the audience straight
back to the 70s and cuts through the audience like a sharpened razor. “Without Expression” and “To
Be Treated Right” excellently showcase this, with Terry providing comic relief in how the latter’s
inclusion of The Devils Rejects brought forth a new & different generation of music fan to his gigs. I met Terry during this time, and I remember him being shocked by the amount of younger people in the audience that night in York. He’s appreciative of all who appreciate him, which is rare in the public eye and a breath of fresh air to his admirers.
Terry has ties to the North East of England, and as the night winds down he proudly unveils this love of the region. The audience are led in a roaring chorus of “The Blaydon Races”, before Spike takes the stage for a beautiful duet of The Animals “House of the Rising Sun” and finally to close the show
Terry unleashes the beautiful & emotional “Brave Awakening”, a song inspired by his Grandparents fears & reliefs of the closing of coal mines in the area. I’ve decided to end the review with an excerpt from that final song in the set, an emotional verse that epitomizes the emotional conflict of the place I call home. Terry is not a young man, at 74 he only has so many tours left in him, and I urge every single reader to see this man before he decides to step away from live music. He’s the musician’s musician, a genius in his field and possibly the greatest songwriter to ever grace the face of the earth. Every music fan in the world should be grateful for Terry, because without him the artistic landscape in which we live would be a far more beige and barren place.
"So mother I fear for the laddies
Father says no one goes down to
The face of some mine no boy of mine
Gonna be bound to, anymore
The future, a brave new awakening
Have to no more go back down to
The bowels of this earth that will take you
Away from home and more"
Follow us on social media to stay up-to-date with the latest news, events, and behind-the-scenes content from Brutally Delicious.
Michelle Mullennix, author of The Self-Reliant Kitchen, briefly shares her transformative journey and relationship to food and emphasizes mindfulness of the sources from which our food comes. She dives into delicious farm-to-table recipes with a sweet and savory mix of American favorites and Southern comfort in a clean ingredient way. The major theme of this book is learning about intentional eating with ingredient sourcing, self-reliance through heritage cooking, and creating meals that nourish the soul recipe by recipe for when the going gets rough and you still want the good stuff.
What’s admirable about this book is that she shares the importance of getting grounded back into ancestral roots and living with the land versus on it, making you think of where the food comes from and how it connects to our overall well-being. Simplicity is key. There’s also an easy-to-grasp guide to pantry necessities that makes most, if not all, recipes in this book complete. The author outlines tools that are vital to this intentional farm-to-table way of cooking, and simple-to-read recipes for some off-grid favorites of Sourdough bread recipes from sourdough pancakes to English muffins, homemade cheese, chocolate milk and so much more!
If there’s anything I would change about the book, it would be to include more recipes and tools for different demographics who don’t have access to the tools called for in the book to make it economically friendly, and since a lot of the recipes call for wheat, if you’re living a gluten-free lifestyle, you can always substitute all wheat with a gluten-free substitute in which the consumer might have to do a little extra research for, otherwise, this is just personal preference, and I wouldn’t change anything at all because I believe there’s a recipe for everyone in this cookbook.
The Self Reliant Kitchen cookbook is made for those who have also started from scratch, are interested in clean, heritage-based recipes, pioneers of the off-grid lifestyle, homesteaders, or anyone feeling the desire to connect with the earth through mindful eating and learning where your food is sourced from, and maybe even feel more empowered while saving yourself and finances from inflated prices of goods throughout time.
This year marks the 2nd annual Get Heavy Fest for Newcastle metal scene, and, admittedly, after struggling to get similar small-scale festivals off the ground, seeing this festival going strong is encouraging and exciting. Get Heavy Fest has its fingers in a few pies. What started as a “mental health positive” podcast for the alternative scene has grown into interviews with big time stars across multiple platforms
and new band discovery episodes. The promoters are making a positive impact, empoweringmembers of the Metal music scene, not just locally, but regionally and beyond. Long may it continue. Downcast Studios, the venue hosting the Fest, has grown since it first opened, replacing a
collection of chip boarded practice rooms, cracked cymbals, and crackly amps, with a new studio, bar, venue, and cafe that provides the perfect setting to host local bands.
Often the plethora of sub genres associated with modern metal gets very confusing. Newcastle has always had a flair for scrappy & impassioned music. It’s the birthplace of Black Metal,
what the North East has to offer, moving forward, will be heavy metal permeated with flair &aemotion.m the late 70s and 80s. The promoters for the Fest are pushing a “core” vibe, indicating what the North East has to offer, moving forward, will be heavy metal permeated with flair & emotion.
Every band on the lineup played an absolute blinder, engaging the crowds & letting loose with ferocity and drive. This gig was well worth the entrance fee, and to any of the bands that dont get a mention by name, you played a blinder.
The opening act, Divine Image, set the bar for the caliber of the acts to follow. The opening energy they displayed to an uncertain-sized crowd for the festival opening was laudable. These guys are still finding their identity, still young and experimenting with what works for them and
sincerely hope these guys embrace it. There ;s a loose, casual feel to the drumming with theserating elements of grunge and punk, sneaking in on the edges of a heavy death metal sound. Many bands aspiring to be that heavy would recoil at the terms grunge and punk, but I
sincerely hope these guys embrace it. There's a loose, casual feel to the drumming with these guys that fuels that punkiness, similar to Keith Moon. This roughness has a chance toset them apart, like a mash-up of Killswitch and Soundgarden, and they serve as a great
barometer as to where Newcastle's musical future is headed.
Jumping forwards in the day slightly, we find Erebor. A Tolkien reference is always going to catch my eye, and the band's sound definitely catches my ear. Their sound is more refined than those that came before them, but there is definitely still an evolution going on with these guys
and I am liking where it seems to be heading. The early part of their set is steeped in American Death metal, complete with fast drums and widdly solos. A crowd interaction that can only be described as Metal Jazz Hands brings light relief and wonderful fan participation, but it's their last song that catches my ear the most. A beautifully crafted lesson in Prog-Metal, their bassist really steps to the front on this one, providing an intricate meandering bassline worthy of Steve Harris that really takes hold of the rhythm of this track, and throttles the audience with vibration. This track is remarkably different to those that came before and if this track is a glimpse into the band's future, then the future is looking bright.
The bill is awash with heaviness as Morrows Massacre provides a subtly funky set, complete with a well received duet of “Blind” by Korn.
Welsh outfit Dystopian Sun gives us straight up, uncompromising Deathcore brutality.
Godeth, who've traveled up from Leeds, adds an injection of groove metal into a brutal old school sound to get the crowd up and bouncing.
Manchester visitors I Am The Wreckage and Newcastle's Swarms UK add an upbeat Hardcore element to the days proceedings, giving the crowd contrast from the more core driven earlier acts.
Scottish heavyweights Catalysis provide a crushing penultimate set for the evening, drawing from an extensive back catalog of typically Scottish gritty heaviness. There's been a lot of filthy, dirty metal produced by Scotland in recent years, and these Dundee natives are no exception.
Kilonova are very much a gem in Newcastle's musical crown at the moment. Fresh off support slots with Cavalera Conspiracy, these guys are riding high with acclaim, every ounce of which is deserved. They're an ideal headliner that epitomize my earliee scrappy and impassioned
reference. These guys are tight and refined, but with a laid back feel to everything that lets the joy of what they're playing really bleed into the audience before them Their singers vocals cut through the crowd as if someone were torturing a leopard live on stage, harnessing a level of emotional rage comparable to early Tarrie B (The Manhole years,
not the Dr Dre years). She's got some pipes on her, and an energetic stage presence to back itup that has her climbing up walls & diving into pits. The band are unreal, with each musician flaunting their skills in a manner that compliments each other while still standing alone. They present themselves as a band with no egos, which
really lets their love of the music show.
All in all Get Heavy Fest was a banger of a gig, and with the festival expanding to two days next summer it's only set to get bigger. Great choice of bands, great choice of venue, and with a team of organizers who want the best gigs and the best welfare for the new generation of
British Metal, I suspect only an act of god can stop them.
I have to give credit where credit is due. Only some people can self-release an EP; I commend anyone who can. Lastelle is dropping their release on September 12th.
LASTELLE’s latest release, "EXIST vol i," is a sonic journey that blends post-hardcore intensity with ambient, dynamic soundscapes. The band's ability to merge the visceral energy of screaming with hauntingly beautiful clean vocals sets this album apart in the post-hardcore genre.
What I hear here is melodic, dark, and post-hardcore. It is exceptionally produced; the blend of screaming and singing in the song works seamlessly, adding power and melody. Their potent blend of aggression and melodic elements is what will captivate you. Their lyrics will resonate with you, while the vocal delivery will amaze you. “Breathe Me In” is my favourite track.
Here are some track highlights and what you can expect:
“Awaken” – The opening track sets the tone to some ethereal guitar riffs, combined with emotional screams, creating an epic emotional release. The transition between aggression and melody showcases the band’s craft.
“Changing with the Seasons” will hit you where it hurts; this emotionally charged track will get you romantically involved.
I’d love to be at the show on September 18th in London, but unfortunately, duty calls me back home here in Toronto. I'm sure it's going to be an incredible performance.
I’m truly impressed with this album; it's a testament to LASTELLE's talent and hard work. I wish these guys the best of luck!
"EXIST vol i" is a compelling album that showcases LASTELLE’s unique sound and emotional depth. It’s a must-listen for genre fans and a promising indication of what’s to come from this talented band.
LASTELLE’s “EXIST vol i” is a testament to how the band has grown as a unit and their ability to stretch the limits of post-hardcore. The album is a well-composed mix of intensity and melody, with each song being different and yet fitting together in the album. The excellent production quality enables the intricacies of both instrumentalists and vocalists to be heard.
For those who enjoy bands such as Being as An Ocean or Pianos Become the Teeth, this latest offering by LASTELLE will be appealing. “EXIST vol i” is a roller coaster ride of emotions that needs several spins to fully appreciate its depth and complexity. LASTELLE has outdone itself in this release, setting quite some high standards for future volumes in the series “EXIST.”
Remember, kids, sometimes the best bands are the ones no one knows about.
Post Black Metal? Huh?
Let’s just call it shoegaze, ok?
Where do I begin.
I know of this band and I know their fans love this band to no end. This is not my jam and listening to this particular album, I would never call this black metal. I know the band’s founding musician, Stéphane Hugues Norbert Paut, aka Neige, has black metal roots that run deep. With all that being said, I’m reviewing this album with an open mind and on the musicianship without genre bias.
Overall, the musicianship is top notch. This is a really talented band and “Les Chants de l'aurore” is a very well-produced and progressive album musically. In my opinion, “clean” vocals and black metal don’t mix, at least not in the traditional black metal definition sense. This album though shows some aggression from time to time and that’s what the band’s hardcore fans have come to expect with every release.
One of the standout tracks that sold me on this album is “Améthyste.” Without having much knowledge and going on first impression, it’s what makes Alcest stand apart from other “post black metal” bands. It has a good flow to it and I caught myself head bobbing to the track at some point. Most of the tracks have a similar feel to each other, but
“Améthyste” is the punctuation point song on the album.
So, am I going rush out to snag “Les Chants de l'aurore” on tangerine splatter on green slime vinyl, limited to only 100 copies? No. I can tell you though my respect for this band has increased tenfold and I’ll keep in my download folder…the shoegaze one specifically.
Exclusive Interview with Tuomas Saukkonen of Wolfheart! 🐺🔥 We sat down with the mastermind behind Wolfheart to dive deep into his approach to music. Tuomas opens up about why he steers clear of politics and religion in his work, the unique balance between the solitude of songwriting and performing for massive festival crowds, and the band’s latest release, Draconian Darkness—a powerful journey through melodic death metal that you don’t want to miss!
1349 "The Wolf and the King" Review by Nyk Edinger
Lords of the Trident "V.G.E.P." Review by Dark Macek
Pythonic "EP 1" Review by Ray Wheeler
An Interview with Silent Theory
Mitch Swanger of Silent Theory chats about the pros and cons of Spotify from an artist's perspective and stepping out of his comfort zone when writing the band's latest release, "Tell Us How It Ends."
An Interview with Dystopica
Becky Brideau of Dytopica chats about festival disasters, the band's unique genre melding music and their newest release, "Infinite Reflection."
I first encountered Convictions, a Christian Metalcore band from Toledo, Ohio, at a hometown show in 2019. They opened for heavyweights like Whitechapel, Norma Jean, and The Devil Wears Prada. With no prior knowledge of Convictions, their performance was mindblowing, shattering any preconceived notions I had about Christian Metal or Metalcore in general.
Earlier this month, on May 9th, I had the pleasure of seeing Convictions again during the Cleveland stop of their "Aggressive Worship" tour at The Foundry. The evening kicked off with two local bands, Like Tyrants and Iravera. While they put in commendable efforts for a Thursday night gig, driving two hours from Toledo had me yearning for a bit more energy.
The night took a turn when Confessions of a Traitor, a band from the UK, took the stage as the third act. Their performance was spirited, and despite the stage seeming too small for their presence, the vocalist frequently immersed himself in the crowd, amplifying the energy and excitement.
When Convictions finally took the stage, they maintained the high energy left by Confessions of a Traitor. My enjoyment of Metalcore typically hinges on a delicate balance: the clean-to-growled vocal ratio, a mix of breakdowns and dynamic substance, and a frontman adept at controlling his “BLEGH!” Convictions excel in all these areas in their recordings and (especially) live performances.
Their set was a high-powered display of their best tracks, including "Wreckage," "Hurricane," and "The Price of Grace." They also premiered a new track, "Hurts Like Hell," set for release at midnight that evening. The band's live energy was fantastic, showcasing their prowess and leaving the crowd riled beyond expectation.
Part two of the Aggressive Worship Tour wrapped up with a show in Nashville over the weekend. However, Convictions will be back on the road before the end of summer, so keep an eye out for dates near you. If you haven't experienced Convictions live, I highly recommend it – their performances are nothing short of extraordinary.
Convictions Online
Facebook- https://www.facebook.com/ConvictionsRock
Watch "Hurts Like Hell" here https://youtu.be/nt1YIEykHnc?si=ld--KJ-YjtXnVMJS
"Agatha Whiskey" by Colleen Mullaney is a book that takes you on a wild ride through the world of whiskey-based cocktails, all while paying homage to the legendary Agatha Christie. It's like getting the best of both worlds: her mysterious stories and delicious drinks. It's perfect for fans of The Brutally Delicious Podcast who can't get enough of both literary classics and tasty cocktails. And trust me, Mullaney knows her stuff! Every recipe is a work of art, with just the right amount of history, mystery, and mixology.
One of my favorite recipes in the book is the "Murder on the Orient Express." It's like drinking a little piece of the book itself! You've got whiskey, sweet vermouth, and a hint of bitters, all mixed together and garnished with an orange twist. It's smooth, complex, and totally reminds me of the drama and sophistication of the book.
Another standout is the "Hercule Poirot." Named after Christie's iconic detective, it is refined and made with whiskey, absinthe, a splash of lemon juice, and a touch of honey syrup. The result is a cocktail that's both refreshing and complex, just like the character Poirot himself. Last but not least, there's the "Miss Marple's Tea," which is a fun twist on an afternoon tea. It mixes whiskey with chamomile tea, honey, and lemon for a cocktail that's soothing, invigorating, and totally reminiscent of Miss Marple's sharp mind and gentle demeanor.
Overall, "Agatha Whiskey" is a book that combines the charm of Agatha Christie's world with the art of whiskey cocktails. It's a must-read (and must-drink) for anyone who loves a good story and a delicious drink. So go ahead, treat yourself to a little literary escapism and a brutally delicious cocktail! You know you deserve it.
"Botanical Cocktails" by Tenae Stewart is a beautiful and inspiring book for anyone who loves cocktails and is always looking to add a unique twist to their favorite drinks.
One recipe that really stood out for me as a gin lover is "The Social Butterfly," a Lavender Gin Fizz. This floral and refreshing cocktail combines the aromatic essence of lavender with the crispness of gin and the lively fizz of club soda. The fresh lemon juice provides a bright, tangy note that perfectly balances the sweetness of the lavender syrup, making it a truly delightful drink.
Another highlight from the book is "Cold Winter's night," a cocktail that mixes maple syrup, bourbon, juniper berries, and bitters for a sophisticated yet refreshing taste. And I think fans of Brutally Delicious will really dig the taste and theme of this soothing and elegant drink, "Blood Moon.” This cocktail combines blood orange, pomegranate juice, and dark rum, making it perfect for a relaxing evening spent under the stars or a full moon. The gentle flavors and aromatic notes make it an excellent choice for unwinding after a long day.
I can say that this book is a perfect fit for our audience and those who appreciate a fresh and flavorful approach to mixology. Stewart's passion for botanicals shines through in every recipe, making it not only a delightful read but also a practical guide for your next cocktail party.
Overall, "Botanical Cocktails" by Tenae Stewart is a well crafted book that brings the beauty and flavor of the garden into your glass. It's perfect for anyone looking to elevate their cocktail game with natural, botanical ingredients. The recipes are easy to follow, and the drinks are sure to impress your guests!
Releases July 2, 2024
From the Land Of Zeus
Their Sound Is From Viking Lands
Welcome Back Dødsferd
According to The Metal Archives, Dødsferd has been in existence since 2001. I’m well versed in black metal, but I’m embarrassed to admit that even being a half Greek, currently living in Athens, Greece, I have never heard of this band until their most recent release “Wrath,” was sent my way. Without doing any prior research on Dødsferd, I dove right in and immediately thought they have a classic, Scandinavian black metal sound, but with hints of Drudkh thrown in for good measure.
Now that I’m sitting down and googling the hell out of them, I can see they have an extensive and impressive discography. It would take at least a month to properly know about how they might have progressed over the decades. What I do know is that the more I listen to “Wrath,” the more I like it. It has all the elements that make a great black metal memorable. It’s raw. The drumming has shitton of double bass and blast beats. The guitar riffing is as ripping as a chainsaw. And for the vocals? They are the classic guttural with some Tom G. Warrior death grunts thrown in for good measure.
Even with a seven-year hiatus, it sounds like Dødsferd haven’t missed a blast beat. “Wrath” has plenty for the black metal enthusiast to latch onto. It’s also nice to see a band from Greece that doesn’t have a “Greek” sound to it like the other black metal and stoner type bands from this country hold on to for dear life. That’s not a knock on them, it’s just an observation. So, if you’re an OG Dødsferd fan, or just a black metal fan in general, I’m sure you’ll be giving it more than just a single spin.
We love our Listeners, so feel free to reach out with questions, comments, and suggestions
Richmond, Virginia 23219, United States
Bruce Moore- "Heavy Metal Overlord"
CEO Brutally Delicious Productions/Award Winning Film Producer/ /Author/Death Metal Chicken Farmer
Kris Siegers-Co-Founder, co-host and occasional ASSHOLE initiated into metalhead brotherhood on 70000 Tons of Metal in 2011 in full golfer garb, Kris Siegers is a beer-lover with an irreverently outrageous sense of humor, and a touch of nostalgia, for the hair he once sported.
Riina Rinkinen- Co-Host, the singer of Silentium, joined the show after a legendary interview with the guys and then never left out of the goodness of her heart. "It's charitable work to make Kris and Bruce look less bad - a thankless job but someone's gotta do it."
Dark Macek- Headbanger in Chief,
Brutally Delicious Co-Host/ Reviewer Hailing from Long Island, Dark has been headbanging since 2004. His first metal show was Megadeth in 2008 (the day of his grandfather’s funeral), and he’s been to more than 200 since. He’s a regular at Manhattan shows - come say hi if you see him!
Ray Wheeler- Writer/Reviewer- Ray is an award winning screenwriter and Dean’s List Film Student from Atlanta. Ray plays bass, loves traveling, and never stops listening to metal.
Amber Fitzgerald- Social Media Manager
Be the first to hear about my episodes and film projects.
Brutally Delicious
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.